A long forgotten photograph from the Cycle Chic archives, rediscovered by accident today. Lovely morning light. And a red theme from last week to match. In the late evening light.
It's an original, which is to say that it isn't a repro because it's been the default for 100 years. You don't "repro" a loaf of bread, you just make some more.
Very nice blog! I´m a brasilian fashion journalist and i´d like to get an interview with you, about this all cycle chic thing... It will be a pleasure for us to hear you and write about this subject. This is an online version of our mag, Duetto Fashion: http://issuu.com/duettoprodutora/docs/duettofashion
Our website: www.duettoprodutora.com.br
My contacts: comunicacao@duettoprodutora.com.br rgaudard@hotmail.com
I hope you appreciate our invitation to be part of our next issue.
8 comments:
I like the red and black contrast.
I love listening music too while riding my bike. So cool :-) but be sure to be still alert when driving. :-)
That's a beautiful shade of red. Is that an original bike or a modern repro? The cranks are telling me repro, but I can;t tell for sure.
Looks like a batavus old dutch
http://batavus.dk/kollektion/Citybikes/Old+Dutch.aspx
it's a van der falk. cheap and cheerful.
It's an original, which is to say that it isn't a repro because it's been the default for 100 years. You don't "repro" a loaf of bread, you just make some more.
Hi Mikael!
Very nice blog! I´m a brasilian fashion journalist and i´d like to get an interview with you, about this all cycle chic thing... It will be a pleasure for us to hear you and write about this subject.
This is an online version of our mag, Duetto Fashion: http://issuu.com/duettoprodutora/docs/duettofashion
Our website: www.duettoprodutora.com.br
My contacts: comunicacao@duettoprodutora.com.br
rgaudard@hotmail.com
I hope you appreciate our invitation to be part of our next issue.
Best regards,
Raqeul Gaudard
How serendipitous - we both have "red" posts today!
word verification = scuse - for jumping in the middle of your semi-final.
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